|
 Caligula- Finds at his villa- Funde aus der Villa des Caligula- "Corpus Statuarum 30292
 Column drum Egyptian, Greco-Roman Period, reign of Claudus, A.D. 41–54
Koptos, Egypt Legacy dimension: H. 44 cm x Diameter 59 cm Painted sandstone
Raised relief. Sandstone with gesso and traces of red pigment. Two Scenes from same incomplete register of decoration showing (1) Claudius before Horus and a goddess and (2) Claudius before Haroeris and a goddess. Middle portion of figures preserved. Top of crowns missing; legs missing.
Museum of Fine Arts, Boston (Educational only Guidelines)
Harvard University—Boston Museum of Fine Arts Expedition, 1924 Accession number: 24.1813
 These Portraits of Tiberius and Livia were found with the snake. (Ephesus)

Caligula Gyptotek- Copenhagen  Inscription: on the photo: Cordoba. - 878th - Tete en mabre representant Caius Caligula. (Au muse provincial). J. Laurent y cia. Madrid. It propiedad. Depose. On the carton RS: 806
 Ara Pacis- My favorite part of the right long wall 4. Guidelines followed for image by Leo C. Curran
 Entrance to Nero's Golden House!! Julio-Claudians at their best. Photo courtesy of Leo Curran website
 Detail of map showing Domus Aurea
 Interior of Nero's Golden House (photo courtesy of Leo Curran)
 Germanicus- Close up
 Claudius Cameo- Vroma.org
 Statue of Augustus (Progaganda on the base even today) Photo courtesy of Leo Curran
 Circus Maximus looking back toward Palatine hill. (Photo courtesy of Leo Curran website)
 The Roman Forum at night!! (photo courtesy Leo. Curran)
 The tomb of Augustus (photo courtesy Leo Curran site)
 Model of theatre of Marcellus (photo courtesy Leo Curran)
 Ostia- baths of the 7 sages. (photo courtesy Leo. Curran)
 Portraits amidst modern machinery (Photos courtesy Leo Curran)
 Augustus from Prima Porta - (photo courtesy Justin Paola)
 Tiberius seated- (photo courtesy of Justin Paola)
 Claudius- (photo courtesy of Justin Paola)
 Does it get any better than this!! (photo courtesy http://sights.seindal.dk/photo/7644f.html
 Ok, so it does get better!! (photo courtesy http://sights.seindal.dk/photo/7587f.html
 Nero- (photo courtesy http://sights.seindal.dk/photo/7625f.html
|
Villa Jovis
Villa Jovis - considered the main residence of Emperor Tiberius on Capri - dominates the rocky spur of Monte Tiberio. The Northern and Eastern sides - built on a sheer rock wall which descends vertically into the sea - look out over the Gulf of Naples and Punta Campanella, while the southern and western sides flank the slope which overlooks Capri and Marina Grande. Halfway between the fortress and a villa of otium, Villa Jovis was built according to a compact square plan although several detached build-ings add a certain detail to the layout of the villa. Covering a surface area of approx-imately 7,000 m2, the villa was constructed on layers of terraces which level out the natural line of the rock, especially on the steeper western side of the slope. The buildings were gathered around a central complex which included four large reservoirs (in blue) with a capacity of 8,000 m3 - such was the enormous amount of water necessary to fulfil the requirements of an imperial palace on an island often lacking in this essential element. The position of the buildings with respect to these huge reservoirs also depended on the rational exploitation of the water supply - a result which could not be achieved following the plan typically used in the construction of Roman seaside villas. Thus the atrium (A) with four marble columns lies on the southern side alongside the baths. Modest on the ground floor (C and D), the baths become more grandiose on the upper floor where the typical division into apodyterium (changing room), tepidarium (room heated to medium temperature) (E), calidarium (heated room) (F) and praefurnium (room with heater) (G) can still be seen, despite the fact that the decorations and even the suspensurae which served to support the floor and allow the passage of hot air have been destroyed. On the western side, three floors of the building were dedicated to servants’ quarters (in violet), characterized by a series of small rooms coming off a communicating corridor. The kitchen is also situated on this side of the villa, detached from the main body of the building. The northern wing almost certainly housed the Emperor’s private apartments and small fragments of marble flooring (Q, R, S, T, U, V) can still be seen. There was prob-ably also a second floor built around the covering of the reservoir and decorated with a colon-nade (peristilium).
 Detail of hall (B) |
 Atrium (A)
An ambulatio (promenade) (L), with niches for benches and several rooms (N O P) once decorated with precious marble flooring, winds along the edge of the hill providing a panoramic view. The flooring of the triclinium (N) was dismantled by the Bourbons and reconstructed in the church of Santo Stefano. The function of the apse-ended hall (Z) on the eastern side of the villa is rather uncertain although it is fairly sure there was once an upper floor which overlooked the sea. At planimetric level, the series of dividing walls seems to suggest a desire to create viewpoints from wide windows overlooking the external footpath. The three niches lined with marble flooring in this footpath were probably designed to hold various statues. In fact, two marble parapets decorated with bas-reliefs depicting natural elements and a bas-relief known as La Cavalcata (the ride) were found in this area - the only remains of the luxurious decoration which once characterized the villa. The villa was built of limestone cement alternated with rows of tiles for practical and functional reasons - limestone was abundant-ly available following the levelling of the rocky terraces while the technique was perfect for the construction of thick walls able to support the weight of the upper levels. Not all scholars of the history of Capri agree that the ruins on Monte Tiberio are the remains of the residence of Tiberius. However, rare documentation left by Latin writers describes villa Jovis as being situated on an inaccessible rock with a sheer drop to the sea - a small fortress with a tower to receive and send light signals - and in fact, Villa Jovis fully meets this description having a sheer drop to the sea on two sides of a large, solid construction more similar to a fortress rather than a villa and buildings organized a central complex with a tower (green) which was almost certainly used as a lookout and signalling post.
Spa quarters (F-E) |
 |
Where Caligula spent some of his youth with Tiberius.
text by Roberta Belli - Photographs by Marco Amitrano)
 41-54 A.D. Julio Claudians Nice Relief
 CILICIA, Olba. Tiberius. AD 14-37. Æ 25mm (12.13 g). Ajax, high priest and toparch. Dated year 5 (circa AD 14-16). Laureate head right / Thunderbolt; ET E (date). RPC I 3731; SNG Levante 638. CNGCOINS.COM
 Tiberius. AD 14-37. Æ As (30mm, 22.92 g). Rome mint. Struck circa AD 16-22 or 34-37. Laureate head left / MODERATIONI, small bust of Tiberius within laurel wreath; all in the center of a large shield with palmettes and raised petals. RIC I 39. VF, brown surfaces, a little porous. Struck on a heavy flan. The dating of this rare As and its counterpart with the reverse "CLEMENTIAE" is still much debated. The authors of RIC date the issue to 16-22 AD while the authors of the BN Catalog date it to 34-37 AD, following Gesche, JNG 1971, and Biasoli, QT 1977. cngcoins.com

| BITHYNIA, Nicomedia. Nero. AD 54-68. Æ 27mm (25.10 g, 1h). Struck circa AD 65-66. Laureate bust right, aegis at point of bust; c/m: GALBA within incuse rectangle / Nero on horseback prancing right; to right, foot soldier advancing right, looking back, holding vexillum over shoulder and shield; [to left, helmeted foot soldier running right](?). For coin: RPC I -; C. Howgego, “Greek legends and Roman types: a Neronian Enigma,” SM 35/140 (1985), pp. 88-92; SNG Copenhagen; SNG von Aulock -; cf. Gorny & Mosch 134 (11 October 2004), lot 1930; for c/m: Howgego 526 (Perinthus). VF, variegated green and brown patina, light smoothing. Extremely rare. |
This countermark, always carefully placed to obliterate the face of Nero, is found on coins of Moesia (see MacDowell, NC 1960), Perinthus, and Nicomedia. cngcoins.com |
 CAPPADOCIA, Caesarea. Tiberius, with Drusus Caesar. AD 14-37. AR Drachm (3.57 g, 12h). Struck AD 33-34. Laureate head of Tiberius right / Bare head of Drusus left. RPC I 3622d; Sydenham, Caesarea 47, note; RSC 2b. cngcoins.com
Large.jpg) Augustus
 Portrait head of Britannicus Roman, Imperial Period, Julio-Claudian, about A.D. 48 or 49
Height: 17 cm (6 11/16 in.) Marble, Crystalline Asia Minor or Thasian marble, coarse grained
Classification: Sculpture
The ill-fated young prince is represented as a participant in priestly ceremonies. He is shown about A.D. 48 or 49, at the age of eight or nine, with the edge of his garment, presumably a toga, drawn up over the back of his head to form a veil. There is a hole in the top of the head for a pin to keep off the birds. Nose and chin are slightly damaged, and the surfaces were weathered in antiquity from exposure. They are now somewhat incrusted. The hair style under the cloth is similar to that of the young Nero in a number of documented instances, but the curved nose and pointed little chin are those of Britannicus' father, the Emperor Claudius (A.D. 41-54). Such a combination in a patently princely portrait could only be Britannicus, at the time when his mother Messalina still held power at court, before her downfall and the rise of Britannicus' first cousin Agrippina the Younger. The latter's ambitions for her own son Nero soon forced Britannicus aside and must have reduced the demands for his statues in the provinces. In 48 or 49 it was natural to find a statue of Britannicus as a boy magistrate in the Sinope region, probably set up alongside portraits of Claudius and other, older members of the Julio-Claudian House.


MFA Boston- Used under Educational Guidelines only.
 Nero-Agrippina

The Biggest Caligula AS in the world!!

Germanicus victorius- Struck under Caligula
 Claudius Ruled from 41-54 A.D.
|